Berkeley, California, Acrylic on concrete, 1402 x 238 cm | 2018
An abstract combining Hebrew and Latin typography’s core rhythm and shape.
Calligraphy in public space
The Berlinbased music label Malka Tuti and I have collaborated to create the art that decorates this full 2xLP: EROPA by TAPAN, designed by Morey Talmor and featuring my illustration and calligraphy silkscreen on the dark side of the vinyl.
The map illustrates one of the most well-trodden paths on the refugee journey to Europe: The Balkan Route.
“EROPA is dedicated to and inspired by events in 2015 & 2016, which saw the spectre of global crisis come knocking at Europe’s doorstep. During this time, more than a million migrants and refugees fled their homes in the Middle East, Northern Africa, sub-Saharan Africa and other conflict ravaged areas in search of a better life. For many, hopes of a future for themselves and their families lay in continental Europe. One of the most well-trodden paths on this journey was the Balkan Route, a trail leading through Turkey, Greece, and the former Yugoslavia. This route was not without its dangers, and the dreams of many were dashed by impassible security fences and discordant EU politics, as one by one they were turned away at borders, or worse, forcibly returned to their countries of origin.”
Limited edition of 16 copies, ink on paper and a disposable camera, scanned and reprinted, 21x15 cm | 2016
Group exhibition, Jaffa Port Gallery, Jaffa | 2016
Group exhibition, Baalei Hamelacha Gallery, Tel Aviv, curator: Tamar Moshkovitz | 2016
This work is describing a single journey to a forest, that ended up as an identity definition quest through graphic representation of hybrid language.
An art project curated as a newspaper by the artist Hadas Tapuchi | 2017
I have collaborated with Hadas creating the calligraphic logo and visual appearance.
The first issue was launched at the exhibition Eröffnung Sites & Memories at IG Bildende Kunst art gallery, Vienna.
Trilingual ink on paper works.
Hebrew calligraphy and Arabic calligraphy woven into each other, on pages out of a found German Gothic style book, printed in 1941.
Part of "Klingspor Museum Fine Bookart and Lettering Collection", Klingspor Museum, Offenbach am Main, Germany.
Series of Four Limited Edition (1-6) Arabic Calligraphy Linocut Prints on Paper | 2017
Berlin, 205x300 mm
Frankfurt, 230x300 mm
Cologne, 200x300 mm
Munich, 200x300 mm
Acrylic on canvas, 170x300 cm (each) | 2017
Functioning as acoustics a music studio on the border of Jaffa and Tel Aviv
Ink and watercolor on paper, 295x320 mm | 2016
Logo design for a dance and therapy technique | 2016
FATHOM HIGH is a dance technique that uses the Feldenkrais method as a departure point, an inspiration and an approach to the action of learning. Feldenkrais is a system of neuro-motor training and reconditionin that transforms people's lives, helping them gain new skills and move beyond pain and limitation. eytal's deep curiosity towards a possible fusion between Feldenkrais and dance led her to develop FATHOM HIGH. This work has deeply altered the wa sh moved and perceived the body. After witnessing her personal transformation, she elt a strong urge to share hi practice with as man people as possible.
FATHOM HIGH' main goal is to 'unlock' movement patterns by delicately destabilizing them, so that new possibilities become accessible. By sing our nherent europlastic ability to rewire and change our habits from the cor, we can 'tap' into a deeper, more primal understanding of our body and it's mechanics. Through this process, new movement pathways open, unveiling an ocean of possibilities. he richness within the movement grows and it's quality deepens.
Visual identity for a music band | 2014
A duo of music producers, creating together a mad mix of ethnic backgrounds with electronic bass music, dub and hip hop. ECHO is a singer/MC, and TITO is a real sonic explorer/ musician. The feminine power Echo brings on, and the deep vibrating beats Tito creates, merge and collide to form a massive synergy that explodes on stage.
A selection of Hebrew calligraphy works
An album curated and produced by David Pearl | 2017
Visual identity and logo design for a the main Yoga event in Israel | 2015
The logo and the illustration where made using an old fashioned technique, using a pen to apply ink on paper. You can witness the process and outcome.
Logo design | 2013
A musical ensemble that creates new music that draws on African and Middle Eastern musical traditions, and is informed by jazz sensibility.
Logo design for a musician | 2015
Branding of a pop-up Humus restaurant | 2013
Welcome to Humusexual: the custom made Humus pop-up restaurant - the Cadillac of festival food! It travels from festival to festival. It is healthy and 100% vegan.
The fresh made Humus is cooked and served on the spot. Each bowl guarantees a long lasting satisfaction. The mixed atmosphere of Arabian tales and funky mediterranean vibes, enchant every guest.
Ink on paper | 2016
Visual identity for a Cello player | 2011
Album cover art and a couple of videos | 2011
Visual identity for a designer jewelry house at the flea market, Jaffa | 2011
Advertising campaign for 5 Premieres | 2015
Visual identity for a music band | 2011
LayerZ - Music For Your Mind + Booty
LayerZ is a group of three Israeli jazz-trained virtuoso improvisers creating a sharp shock-wave of post-rock, electronica, and groove. Since emerging from the Tel-aviv music scene, the three have swept after them thousands of listening ears and dancing feet everywhere they turn.
A music video | 2014
I Cried For You (Official Video)
Music by Buttering Trio (KerenDun, Beno Hendler, Rejoicer)
Background design by Jengo
A selection of calligraphy and typography works
Advertising campaign for an international theater festival | 2014
A music video | 2014
Director, Producer, art & Post - Ella Ponizovsky. Filming - Lior Bentov. Vocals & lyrics - Echo & KerenDun. Music - KerenDun. Choreography - Ori Kroll. Mastering - Asaf Shay. Location & extra help - Overstay TLV.
Advertising campaign for a play "With Unarmed Forces" | 2013
Theatrical co-operation between two significant companies in their field - visual Clipa Theater (Israel) and physical Teatr Novogo Fronta (CZ/RU). It is a physical theater piece, based on the concept of object manipulation. The idea was born in November, 2012 in Tel Aviv under the missile atack from Hamas.
Album series design | 2012
Kol Dodi >>
Visual identity for an interior architecture studio | 2012
Album design | 2013
Ancient Hebrew version, 330x220 mm
Visual identity for a multidisciplinary jam session | 2011
The Diningroom is a code name for underground conceptual sessions taking place in Tel Aviv. A community of artists and performers from different disciplines meeting regularly to create colors, shapes and sounds.
The Diningroom fuses music, dance, photography, painting, video art,
and anything that moves into a hot cauldron of life, and creates an autonomous environment, without borders, inviting each participant to actively take part in the real time art process with fellow artists.
Specifically in this urban reality where people are fighting for their place and their say, the Diningroom allows growth of an artistic community, and builds a platform where every artist is equal,
inviting each member to give in to the experience, and to connect to a higher purpose.
Risograph prints on paper | 415X296 mm | 2016
"The last thing that I thought of was the first thing that happened to me was the last thing that I thought of.."
Risograph print on paper, limited edition of 24 copies, 415X296 mm | 2016
Grand Opening, group exhibition, The Red House Gallery, Tel Aviv, curator: Oren Fischer | 2016
Typographia, group exhibition, La Culture, Kuli Gallery, Tel Aviv, curator: Itay Blaish | 2016